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Creative

Journalist

Investigates and reports the news

  • Writing
  • Research
  • Fast paced

What does a journalist do?

A journalist finds, verifies and explains information an audience needs or wants to know. They develop leads, interview people, examine documents and data, witness events and test competing accounts before publishing in print, broadcasts or digital formats. Some cover a local area; others specialise in courts, politics, business, science or culture. The job is to establish what can responsibly be reported, not merely repeat what somebody said.

Reporting begins where accounts disagree. A source knows one fragment, a document was written for another purpose and a person facing criticism has reasons to frame events differently. The craft is to build a defensible account from partial, interested versions of reality while considering whether publication could cause unfair harm. Strong reporters remain curious when the evidence ruins their original angle.

Journalism has no prescribed academic route. Entrants arrive through degrees, diplomas, apprenticeships, student media or trainee schemes. Others move from fields they already know well. Many UK news employers recognise courses approved by the National Council for the Training of Journalists. These cover areas such as media law, public affairs and shorthand, but requirements vary. A small portfolio of genuinely reported pieces shows editors how you check facts, write and find stories.

Journalist salary in the UK

  • A typical earner
  • Bottom 10% up to top 10%

The good and the bad of being a journalist

The good

Curiosity is given a practical purpose

A journalist can call the person who designed a flood barrier and attend the council meeting that funded it. They can then ask residents what happened when the old one failed. The deadline stops curiosity becoming endless browsing. You must identify the question, find people who can answer it and decide what the evidence supports. Over time, you learn how unfamiliar systems work by following their consequences, rather than only reading official descriptions.

You can bring hidden facts into public view

Patient checking can turn a deniable claim into something that can be known and discussed. The evidence might be one planning document, an expense record or several independent accounts. Reporting can force an organisation to answer publicly. It can also give people evidence to challenge a decision or preserve facts that would otherwise disappear.

New evidence gives you permission to change the story

You may begin with a convincing tip and discover that the documents contradict it. You might expect conflict and instead find a more revealing example of cooperation. Good journalism permits no loyalty to the original idea once the evidence changes. Finding that your first theory was wrong can be exhilarating. The reporting has produced a better question, not merely material to support the answer you expected.

The bad

You often publish before the picture is complete

News has value partly because it is timely. Yet early accounts are assembled while facts are still changing and sources are protecting their interests. You must decide what is solid enough to publish, what needs a named source and what should wait. A rival may go first. An error can travel farther than its correction, while too much caution can leave the audience with confident misinformation from elsewhere.

Other people’s worst days become your raw material

Reporting may require approaching somebody after a death or asking a source to revisit frightening events. You may have to decide which private details are genuinely necessary in the public interest. You cannot forget who bears the consequences of publication, even when an interview is courteous and the story is accurate. You cannot promise favourable coverage or absorb everyone’s distress. Obtaining necessary information does not remove its ethical weight.

The economics can hollow out the craft

Many newsrooms operate with fewer reporters, short contracts, modest early-career pay and relentless demand for updates in several formats. Freelancers may spend unpaid time pitching and chasing payments. Staff reporters may be judged by web traffic, which often rewards speed or outrage more than slow checking. Evening meetings, weekend shifts and sudden news make time less predictable. The risk is not only exhaustion. When one person must update a live page, film a clip and file two versions, there is less time to make any version excellent.

Journalist career path

  1. Journalism degree, or another subject and an NCTJ diploma

    Usually 3–4 years

    Some journalism and media degrees include the National Council for the Training of Journalists diploma; graduates in other subjects can take it separately, usually in a year or less. Check whether a course teaches shorthand and media law as well as producing features. From the first term, report for student or local outlets: an editor needs accurate published stories to assess, not a claim that you have always enjoyed writing.

  2. Graduated
  3. Trainee Journalist / Editorial Assistant

    Usually 0–2 years’ experience

    You’ll monitor leads, research background, arrange interviews and report straightforward stories under close editing. Early progress comes from getting names, numbers, quotations and sources right every time. You learn media law and file clear copy without hiding uncertainty from the editor.

  4. Reporter / Journalist

    Usually 2–5 years’ experience

    You can find and deliver your own stories in the publication’s different formats. You develop contacts, cover live events, use public records and seek responses from people criticised. You also learn when a routine assignment contains a stronger lead. The shift is from completing commissions to owning a dependable area of coverage. Useful stories begin to come from knowledge and relationships you have built yourself.

  5. Senior Reporter / Correspondent

    Usually 5–8 years’ experience

    You’ll handle sensitive sources, difficult interviews and stories whose legal or reputational risks require experienced judgement. A correspondent normally develops authority in a subject or location; a senior reporter may lead major stories across the desk. You are expected to find original angles, help less experienced colleagues and know when not to publish.

  6. News Editor / Investigations Editor / Senior Correspondent

    Usually 8–12 years’ experience

    Management and specialist routes become clearer. An editor commissions and shapes other reporters’ work, balances the running order and takes responsibility for publication decisions. An investigations editor or senior correspondent may remain close to reporting while coordinating months of evidence, security and legal review. Influence now comes through the questions a whole team pursues, as well as your own copy.

  7. Editor / Head of News / Chief Correspondent

    Usually 12+ years’ experience

    Editors set priorities, allocate scarce time and defend standards under commercial, legal and public pressure. Heads of news run large teams and a substantial flow of work. A chief correspondent can reach similar seniority without becoming a manager. They break important stories and guide coverage through deep knowledge. At this level, you shape what the organisation treats as news and the conditions in which journalists can report it independently.

What do journalists tend to study?

Journalism & media

This is the largest subject group because it brings reporting, production, media law and deadlines into the same programme of study. Students practise turning interviews and documents into publishable material. Knowing how to make a story is different from knowing the field being reported, so the missing depth may be which questions that field has not answered.

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A day in the life of a journalist

08:30 – 09:00Read in

You scan overnight alerts, court and council lists, audience messages and the morning diary. A contact points you towards a late addition to tonight’s planning committee: a city-centre development advertised with 80 affordable homes now appears to contain 24. You do not publish the tip. It is a route to evidence, not evidence itself.

09:00 – 11:00Test the paper trail

You retrieve the current application, earlier committee papers and the developer’s financial case. They confirm that the proposed number changed but also mention a payment towards homes elsewhere. A planning researcher explains what that payment can fund. They warn that “80 homes lost” would overstate the case because the earlier figure was proposed, not approved. Independent knowledge narrows the claim while making the real question more precise: why did the reduction happen?

11:00 – 12:00Report beyond the documents

You visit the site and speak to nearby residents, a shopkeeper and a housing campaigner. Their views add consequence but not proof of the developer’s finances. One resident gives a vivid accusation they cannot substantiate, so you record it but do not plan to use it. A strong quotation does not earn an exemption from checking.

12:00 – 12:30Lunch

Newsroom sandwich.

12:30 – 13:45Seek the missing sides

You send focused questions to the developer and council. Which figure changed, why did it change, who tested the financial case and what would the payment fund elsewhere? Both receive the substance of the criticism and a fair deadline. The developer offers a private background call. Before agreeing, you clarify exactly what may be reported.

13:45 – 15:00Write what can be supported

You lead the story with the committee’s decision tonight. You then explain the change in numbers, the developer’s stated costs and the council’s process. You make clear whose explanation is whose and avoid saying the homes were “scrapped”. Sharp wording is useless if the documents cannot support it.

15:00 – 16:15Survive the edit

The developer replies that rising construction costs made the original plan unaffordable. It points to the payment towards homes elsewhere. Your editor asks whether readers can compare that payment with 56 homes on the site. You call the council again and add what remains unknown. A lawyer checks the draft because the article questions a commercial claim. Fairness improves accuracy, but it does not require giving every side equal evidential weight.

16:15 – 17:15Publish and explain

The checked article goes live before the meeting. It links to the committee papers and explains the developer’s financial case in plain language. You supply a short audio summary and answer a reader who thinks the council has already approved the change. Their confusion shows that the social-media caption is unclear, so you correct it and note the change.

17:15 – 18:30Find the next question

You watch the committee online as councillors delay the application and request an independent review of the figures. After updating the result, you call the planning chair. The review may examine construction costs but not the price paid for the land. That limit could decide whether the affordable-housing claim is properly tested. Today’s article is finished, but the reporting has opened a sharper question.

What skills does a journalist need?

How many hours does a journalist work?

43hours in a typical week

+6 hours compared with the average UK job

UK average · 37.5h